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Women's liberation recognized that the historical power structures of society gave a privileged place to White males, at the expense of all other groups. The women who protested at the Miss America pageant viewed the parading and judging of women according to traditional standards of "femininity" or "beauty" as another example of male supremacy.

They connected the injustice of objectification to the lack of racial diversity in the pageant. In the s and s there had even been an official pageant rule that Miss America contestants must be "of the White race. She later resigned her crown because of a nude photos scandal, and runner-up Suzette Charles became the second African-American to be Miss America.

Some critics have argued that even as the Miss America pageant became more diverse at the end of the 20th century, it continued to idealize its traditional beauty image of White women. The use of the pageant winner as a "cheerleader" for the military's operations abroad was akin to exploiting her as a "mascot for murder," NYRW said.

The Vietnam War claimed thousands of lives and faced strong opposition in the United States. Many activists in the women's liberation movement shared with the anti-war movement a desire for peace. Women's liberation also studied the common ground among different groups of people who were oppressed in male supremacist society. Oppression based on sex differences could be seen as related to the violence and killing that went along with war and military operations around the world.

While this was presented as an effort to support the troops - that is, individual soldiers - it was also seen by some as support of the war, or of war and killing in general. In publicity materials for the Miss America protest, feminist leaders referred to the Miss America "cheerleader-tour of American troops abroad" as another way in which pageant winners were exploited by society's powerful forces.

Miss America, the protesters said, was "sent to Vietnam to pep-talk our husbands, fathers, sons and boyfriends into dying and killing with a better spirit. The debate over the " military-industrial complex " and widespread deployment of troops around the globe encompasses much more than the Miss America pageant.

However, feminist activists believed in constantly calling attention to the many ways women were pressured or used to support powerful men's goals. Historically, powerful men's goals had often resulted in the loss of thousands of lives. Many feminists, such as socialist feminists and ecofeminists, repeatedly linked global injustice with subjugation of women. The Miss America protesters adopted a similar line of thinking when they decried the use of pageant contestants as "mascots for murder.

The entrenched corporate power structure of the U. The feminist activists distributed pamphlets and press releases detailing their objections to beauty pageants, including the fact that the Miss America winner would be a "walking commercial" for the companies that sponsored the pageant. It was hardly the "honest, objective endorsement" it was claimed to be.

It was important for women's liberation to examine how corporations and capitalist power structure benefited from idealized images of women, whether as beautiful pageant winners or ecstatic consumers. Earlier in the s, Betty Friedan had written in The Feminine Mystique about how beneficial the happy housewife image was to manufacturers of household products and advertisers. Feminists continued to spot the corporate conspiracy throughout the s and s, voicing their anger that women were denied independence and empowerment while being used by powerful men to make a profit.

In , Miss America was added to the list, another example of consumerist society's exploitation of women. The contest reinforced the hyper-competitive message of supremacy that prevailed in U. Although some of the protesters' complaints about beauty pageants revolved around Miss America's objectification of women, this particular aspect concerned men and women, boys and girls. These feminists wanted to rethink the message of fierce competition and supremacy that was drilled into all members of society.

The winner of the Miss America pageant would be "used," while the other 49 young women would be "useless," according to the press release written for the protest. Many feminists envisioned new approaches to society that would leave behind the emphasis on competition. Often, women's liberation groups considered new ways of structuring leadership, moving away from patriarchal society 's traditional hierarchies. Consciousness-raising and rotation of women's liberation group leadership were two among many methods of trying to be more inclusive and less reflective of typical male power structures.

Women had traditionally been encouraged to compete with one another to "win" over men. Gloria Steinem points out that women were taught to compete for men, just as all marginalized groups in society had to compete for the "favors of the powerful. So what could be a greater example of that than a beauty contest? The s feminist protesters rejected the notion that Miss America's crowning of one winner supposedly represented all women. What the pageant did instead was reinforce the idea that the other 49 women who competed were not good enough - let alone the millions of other American women who watched.

The obsession with youth and beauty tried to make women look younger than they were and soon enough rejected even previous winners as they dared to age normally. Throughout the 20th century as Hollywood, media, television, film and video images became more widespread, so did the notion that stars had to look or even be younger than they were. It became something of an oft-repeated assumption that actresses lie about their age. It might seem silly if it weren't for the fact that a heavily male power structure could put women out of work because they had dared to age out of their early twenties.

Other industries, such as airlines, also seized upon the idea of the young, single, beautiful woman. Throughout the s, most airlines continued to terminate their all-female flight attendants once the women turned either 32 or 35 or, if they got married. This obsession with youth and beauty in women, and the insistence that only youth could be beautiful, were on display at the Miss America pageant. Feminists called attention to the cult of youth on other occasions as well. Feminist organizations such as the National Organization for Women began working on the issue of age discrimination in employment and other areas of society.

During the s, feminist Gloria Steinem famously quipped to a male reporter who told her that she did not look 40 years old, "This is what 40 looks like. We've been lying for so long, who would know? At that Miss America protest, hundreds of women gathered to protest the pervasive obsession with youthful beauty. The statement that a woman should be valued as a person, not a beautiful "woman as pop culture obsolescent," brought a good deal of attention to the new women's liberation movement.

The feminist protesters could not support a contest designed to breathlessly search for the its annual beautiful young thing. The Miss America contest paid lip service to wholesome images of womanhood while parading women's bodies in bathing suits. Feminists criticized the insistence that women be both sexual and innocent, and rejected the characterization of women as either up on a pure, motherly pedestal or down in the lustful gutter.

Deriving from Freudian psychology, the syndrome refers to men forcing all women into a dichotomy of being either pure, motherly and on a pedestal OR being a lustful, and presumably depraved, prostitute. The syndrome is sometimes referred to as "Madonna-prostitute syndrome. Many people use it to describe a man who "can't" or won't be attracted to a woman once he sees her as a mother, because she is placed in one of those two polarized categories, the mother versus the sexual being.

On the other hand, the women who evoke any idea of sexuality are somehow "bad" and unworthy of actual love, or commitment. This troubling false dichotomy is disturbing, but it also leads to a confused desire to have all women be both categories at once: ultimately pure and innocent while unfailingly sexually attractive. Feminists witnessed the "Madonna-whore combination" at work in the Miss America pageant.

Comparing Miss America to a Playboy centerfold, the radical feminists explained: "To win approval, we must be both sexy and wholesome, delicate but able to cope…" Miss America conjured up wholesome images of youth, beauty, pure womanhood and patriotic good girls, but at the same time emphasized physical attraction above all else and paraded women down a runway in bathing suits for the pleasure of viewers.

While the swimsuit competition has generated the occasional public debate, not all Miss America watchers stop to grapple with the idea of simultaneously revering wholesome young women and ogling their attractive bodies. Still, though, a woman who identifies as Latinx has never won the title of Miss America.

Ableism is still an issue. There has been a deaf Miss America. The first woman with a major physical disability to compete at one of the big pageants was at Miss USA — and it was when Donald Trump owned it. She got special permission to have an escort on stage. Your book also describes an array of other, less prominent pageants.

There are ethnic pageants that celebrate beauty in a different way. Miss Navajo includes a cooking competition and being able to speak the language. Is Miss America — or beauty pageants in general — past its prime? The winner gets a crown and a scepter. But I do have concerns about Miss America and its longevity.

How else have beauty pageants affected the larger culture? The book mentions The Bachelor and Bachelorette franchises. The Bachelor is basically what Miss America used to be — even down to who used to be the host, Chris Harrison. Everybody pretty much appears in their swimsuits. And then the Rose Ceremony is like the evening gown [competition].

The links between the marriage market and debutante culture are very evident in both. One of the judges of Miss America was Mike Fleiss, who came up with The Bachelor and is the executive producer [and married the winner of the Miss America competition he judged].

The skills that many politicians need to be successful are skills that a woman can develop by doing these pageants. That includes speaking in public and being good with the media, and having a platform and a story. It used to be Miss Americas would marry politicians.

But now they want to be the politician.

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